Journey with Elizabeth
The Spirit of the Age in Maritime Travel
Life On Board
Children on the Titanic
Passengers in Training
The Menu on the Day of the Tragedy
The Grand Staircase
Germans on Titanic: Isidor Straus
Germans on Titanic: Antoinette Flegenheim
Germans on Titanic: Amalie Henriette Gieger
Germans on Titanic: George Rosenshine
Germans on Titanic: Adolphe Saalfeld
Germans on Titanic: Emelie Kreuchen
The Dimensions of the Titanic
Titanic Curiosities
The last song of the orchestra
Iceberg ahead
Myths and legends about Titanic
The Dead and the survivors
Titanic after April 15
Credits
On April 10, 1912, Arthur Callahan and his daughter Elizabeth boarded the Titanic at the port of Southampton. Together, they travelled to the United States to reunite with their wife and mother, Cassidy Callahan. Join them on a journey you will never forget.
Experience the moving story of Arthur and Elizabeth, who began their voyage in third class on the Titanic, with the only ticket their modest means could afford. What started as hope for a new life becomes a journey where fate and chance play a greater role than they could have imagined—a journey that will be etched into their memories.
The aftermath of the Napoleonic Wars in Europe was catastrophic. Misery swept across the entire continent in the 19th century, forcing millions to flee their countries and seek opportunities in the United States, the new “promised land.” As there were no ships solely for passenger traffic, the major shipping companies sought new types of vessels to meet the rising demand for Atlantic crossings.
It wasn't until 1839 that construction of pure passenger ships began. Three fare classes were introduced: first, second, and third class. The shipping companies competed for routes, and ships increased in size, luxury, and speed. However, these enlargements proved unprofitable, as the wealthiest only travelled seasonally. For the rest of the time, ships mainly carried third-class passengers.
Because costs couldn’t be covered in this way, ship sizes were further increased.
By the late 19th century, two companies stood out with exceptional ships and services: the Cunard Line and the White Star Line, whose ships were built at Harland & Wolff shipyard in Belfast, Northern Ireland.
In 1906, Cunard launched two new ships: the RMS Mauretania and RMS Lusitania, equipped with steam turbine systems enabling speeds of 25–26 knots (almost 50 km/h), making them the fastest ships in the world at the time.
Their launch was a heavy blow to White Star Line. J. Bruce Ismay, son of the original founder, accepted the challenge and in March 1907 proposed building a new series of ships that would surpass the competition in size, luxury, and speed. The plan included three identical Olympic-class ocean liners: RMS Olympic, RMS Titanic, and RMS Britannic.
The first of the three, the Olympic, began service in 1911. After more than three years of construction involving over 15,000 shipyard workers and engineers, the Titanic was ready to set sail in April 1912. The total cost was $7.5 million (equivalent to $200 million today). Despite improvements and technical innovations, the Titanic only reached a top speed of 24 knots (44.5 km/h).
At the beginning of the 20th century, the gap between social classes widened dramatically. Literally: the rich were extremely rich, and the poor very poor. In daily life, there was virtually no contact between these social classes—except on the Titanic, where both rich and poor shared the same space: a transatlantic ship.
The cheapest first-class ticket would cost approximately €12,000 in today’s money. For the most luxurious suites, first-class passengers paid up to €40,000—for a journey that was supposed to last just five days.
In addition to lavish cabins, first class featured 14 large public rooms: lounges for ladies, smoking rooms for gentlemen, a vast dining room, Café Veranda, lobbies, grand staircases, a swimming pool, Turkish baths, a tennis court, a gymnasium, and more. Poker was frequently played. It is said many con artists and professional gamblers also boarded, hoping to relieve wealthier gentlemen of their money.
Another standout feature was the À La Carte Restaurant—an incredibly upscale restaurant led by renowned chef Luigi Gatti, offering refined cuisine at astronomical prices.
For younger and unmarried passengers, flirting was a key form of entertainment on board the Titanic and other ocean liners. At night, secret shadows moved through the first-class corridors, slipping from one cabin to another in search of pleasure. A generous tip to waiters and guards secured their silence.
In second and third class travelled the poorest passengers—emigrants. These families often included many people. They lived in modest cabins with four, six, or even eight bunks and a small sink to wash without needing to visit the shared restrooms—a luxury they likely did not enjoy in the homes they had left behind.
The third-class cabins on the Titanic were comparable to second-class cabins on smaller ships. A ticket in this category would cost today between €300 and €700.
For larger families, buying these tickets—often equaling one or more years’ salary of the family’s breadwinner—meant a significant sacrifice. They saved for years and sometimes sold off their few possessions or modest homes. Emigration was an uncertain and often painful experience.
Before boarding, many emigrant families took photos with their parents and grandparents, knowing they might never see them again. Third-class facilities included massive dining halls where passengers shared the food served on board at long communal tables. Lunchtime was the highlight of the day—not just a chance to eat, but to connect and try foods they had never tasted before. Many farmers ate fish for the first time, and many fishermen tasted meat for the first time.
Third class also featured a spartan common room with a canteen and smoking area.
In first class, children stayed in exquisitely decorated rooms that reminded them of their luxurious homes. Boys and girls travelled with their governesses, responsible for dressing them in the latest fashion and ensuring their behaviour matched their social standing.
Still, life likely was not particularly entertaining for these children, as ship space was limited. To pass the hours, they went on long walks between rich meals, coffee breaks, and aperitifs scheduled throughout the day. Since they had music education at home, we can assume they also enjoyed the concerts held aboard the Titanic.
First-class children brought along expensive toys—unaffordable luxuries for third-class kids. Girls walked with porcelain dolls; boys played with tin toys and costly lead figurines.
For third-class children, the Titanic was also a delight. They got hot meals several times a day—and candy, which they were not used to.
Never before has been so easy to meet other children from different European countries, or even from Turkey or China. Despite language barriers, they became friends and played soccer with cloth balls on the bow and stern decks.
The girls skipped rope and played with cloth and wooden dolls. They may not have been as beautiful as the first-class dolls, but they brought just as much joy.
The Titanic’s gymnasium was one of the many luxury amenities offered aboard this legendary ship. It was equipped with the latest exercise machines and was accessible to first- and second-class passengers alike.
Other luxury facilities included Turkish baths, a swimming pool, and even a squash court.
The menu on the day of the disaster that was taken by a passenger who survived the disaster. French cuisine was fashionable at the time and exemplified the level of luxury associated with the Titanic.
The À La Carte Restaurant was led by Luigi Gatti, a well-known chef of the era. Meals here were an exclusive and expensive option, included with the purchase of a first-class ticket.
The now-famous Grand Staircase of the Titanic perfectly embodied the idea that first-class passengers should feel as comfortable as they did at home. It was adorned with a magnificent clock—“Honour and Glory Crowning Time”—flanked by two carved female figures symbolizing honour and glory.
The staircase was topped with a large iron and glass dome, allowing natural daylight to illuminate the area. The banister was made of Irish oak and ended in a post topped with a beautiful bronze sculpture.
A Department Store Pioneer and a Love Until Death
Isidor Straus was born into a Jewish family in Otterberg, near Kaiserslautern. In 1854, he and his family emigrated to the United States and settled in Talbotton, Georgia, where they opened a general store. Isidor later co-founded Macy's department stores.
During a return journey from Germany to the U.S., Isidor and his wife Ida were first-class passengers on the RMS Titanic. Although an officer in charge of the lifeboats offered to let the couple board with Ida’s maid, Miss Ellen Bird, Isidor declined, stating that many women still remained on board. Ida refused to leave his side and said: “We have been together for so many years. Where you go, I go too.”
Isidor and Ida died on April 15, 1912. His body was recovered by the cable ship Mackay-Bennett, identified in Halifax, and brought to New York, where he was buried at Woodlawn Cemetery in the Bronx. Ida’s body was never recovered or identified.
A High-Society Lady's Dramatic Life
Antoinette Flegenheim was born on May 11, 1863, in Himmelpfort near Berlin. A German-American high-society woman and Titanic survivor, her life spanned two continents and was marked by wealth, tragedy, and resilience.
At 27, she emigrated to the U.S. and arrived in New York in 1890. That same year, she married Alfred Flegenheim, likely contributing to her rise in high society.
In April 1912, at age 48, she boarded the Titanic in Southampton as a first-class passenger. Antoinette was among the fortunate survivors, escaping aboard Lifeboat 7—one of the first launched from the sinking ship.
The Silent Heroine of the Titanic
Amalie Henriette Gieger was a German-born domestic worker who survived the Titanic disaster. Born on August 26, 1876, in Königsberg, Prussia (today Kaliningrad, Russia), she spent much of her adult life serving the wealthy Widener family of Pennsylvania and later became a U.S. citizen.
Her frequent transatlantic journeys suggest she worked for affluent families who regularly traveled between Europe and America.
In April 1912, Amalie accompanied the Widener family aboard the Titanic. Her quick thinking and proximity to her employers likely saved her life. She escaped with Mrs. Eleanor Widener, while Mr. Widener, Harry Widener, and Edwin Keeping tragically perished.
Amalie continued to serve the Widow Widener for many years after the tragedy, remaining loyal despite the deep loss suffered that fateful night.
A Businessman’s Tragic End and Secret Affair
George Rosenshine was a 45-year-old Jewish businessman born on December 21, 1866, in Germany. He immigrated to the U.S. as a child and later co-founded Rosenshine Bros., a company specializing in ostrich feathers—a highly coveted luxury item at the time.
He boarded the Titanic in Cherbourg, France, returning from a business trip and vacation in Europe. However, he traveled under the name “George Thorne,” due to the strict social norms of the era, as he was accompanied by his lover, Maybelle Thorne, though unmarried.
While Maybelle survived, George perished in the icy waters of the North Atlantic. His body was recovered by the Mackay-Bennett. His brother arranged for it to be returned to New York, where he was buried at Bayside Cemetery in Queens, beside his parents and siblings.
His story is a touching reminder of those lost aboard the Titanic—not just the wealthy and famous, but also those whose secrets and fears were long forgotten.
The Perfumer Who Survived the Titanic
Adolphe Saalfeld was a German-born chemist who immigrated to Britain in the 1880s. He became president of Sparks-White & Co., a pharmaceutical and distillation company specializing in perfumes.
Saalfeld boarded the Titanic with precious perfume samples, hoping to find a new distribution network in New York for his floral fragrances.
When the ship struck the iceberg, Saalfeld was in the first-class smoking room. He returned to his cabin but, in the chaos, forgot his perfume samples—which remained lost on the ocean floor for nearly a century.
Decades later, Saalfeld’s vials were recovered from the wreck. Amazingly, they retained their floral scent, offering a fragrant link to the past—a rare, intact remnant of his journey.
The Tragic End of a Journey
Emilie Kreuchen emigrated from Germany to the U.S. in 1897. After a trip to Europe, she boarded the Titanic in Southampton with her niece, Elisabeth Allen.
Here is Emilie’s own account of the night of April 14–15, 1912:
“As I left my cabin, I saw water filling the corridor. Alarmed, I looked for a steward to ask what was happening. He told me to return to my cabin and said some parts of the ship were being sealed to slow the flooding. I ignored his advice and ran to Elisabeth Allen’s cabin to warn her that the baggage hold was flooded. She tried to calm me, but I remained concerned. When I returned to my cabin, it was already underwater. I realized we had to escape and made my way to the upper decks. Eventually, I boarded Lifeboat 2 with about 20 other passengers.”
• Ship width: 92 ft / 28 m
• 258 third-class cabins and lounges
• 3 second-class lounges
• 162 second-class cabins
• Height to boat deck: 64 ft / 19.5 m
• 16 lifeboats for 962 people
• 14 first-class lounges
• 422 first-class cabins
• Length between perpendiculars: 850 ft / 259 m
• Total length: 882 ft / 269 m
• 4 collapsible boats for 216 people
• Displacement: 52,310 tons
• Watertight bulkheads: 15
• Watertight compartments: 16
• Funnel dimensions: 72×24 ft / 21×7 m
• Daily coal consumption: 650 tons
• Gross tonnage: 46,358 tons
• 105 crew cabins and lounges
• Max draft: 34.5 ft / 10.5 m
Fascinating facts and data that make Titanic’s story legendary:
This immersive VR experience pays tribute to the musicians aboard the Titanic.
They boarded in Southampton as second-class passengers. Until the night of the sinking, they performed in two groups: a quintet led by violinist Wallace Hartley, accompanied by Percy Taylor, John Woodward, Fred Clarke, and John Hume, who played at teatime, after dinner, and on Sundays. A separate trio—violin, cello, and piano—comprised Georges Krins, Roger Bricoux, and Theodore Brailey, performing in the À La Carte Restaurant and the Café Parisien.
After the Titanic struck the iceberg and began sinking, Hartley and his colleagues started to play to calm passengers as the crew manned the lifeboats. Many survivors claimed the band played until the very end. Their final song was said to be “Nearer, My God, to Thee,” though some sources claim it was Songe d’Automne (“Autumn”).
A second-class passenger remarked:
“Many brave deeds were done that night, but none braver than those men who played minute after minute as the ship silently sank into the sea. The music they played was both their immortal requiem and their right to eternal glory.”
All the musicians perished in the disaster.
The music accompanying the “Legend of the Titanic” exhibition was composed by Dutch composer and producer René Merkelbach and recorded with a symphony orchestra of over 50 musicians.
Each composition enhances the narrative of the exhibition rooms, immersing visitors in the grandeur of the Titanic in 1912.
For this VR experience, Merkelbach composed a new piece inspired by melodies believed to have been played on the ship’s final day.
Click on the logos below to relive the musical journey of the Titanic anytime:
Share your experience on this journey to the past. Let us know how you liked The Legend of the Titanic!
#titanicimmersiv #dielegendedertitanic
From a nautical-technical perspective, Murdoch’s actions were correct.
The iceberg was reportedly spotted about 700 meters away—but given the poor visibility on the night of April 14–15, 1912, this seems unlikely. It's now assumed it was seen much later.
The first to spot it were the lookouts. Whether or not they had binoculars is unclear, but the key issue was the lack of moonlight and poor visibility.
Upon seeing the iceberg, they rang the warning bell and telephoned the bridge. First Officer William McMaster Murdoch issued three commands:
“Hard starboard”, “Full astern”, “Seal watertight doors”
Given the circumstances, these commands were the correct ones to give.
Assuming the Titanic was traveling at 20 knots (about 37 km/h) and the iceberg was 700 meters away, the collision occurred approximately 1 minute and 7 seconds after it was first sighted:
In the first ten minutes after the collision, the damage only appeared to have affected the first six bulkheads (watertight compartments). However, the reality was quite different. After these ten minutes, the water had reached a level of at least 14 feet (just over 4 metres) in the first five bulkheads. The water level slowly rose and spread over the entire ship.
Shortly after midnight, the rooms of the Titanic near the point of collision with the iceberg were already heavily flooded. It was not long before the cabins of the stokers, the sailors, the third class and several of the decks were under water.
No water had penetrated the rest of the ship. All the watertight doors behind the damaged compartments were opened.
The Titanic broke in two: The bow of the Titanic continued to sink until the ship reached an inclination of between 29 and 45 degrees. The ship's second funnel protruded out of the water while all the lights were still on.
When the ship reached this position, the engine room was above the water. Due to the weight of the engines and the structural weakness, all the shear forces and bending moments were concentrated in this area.
Eventually the ship broke in two, with the stern section staying afloat while the bow sank rapidly.
It was 2:20 in the morning.
The original plan was to equip the Titanic with 64 lifeboats. However, in order to create more space for the passengers on deck, this number was initially reduced to 32 and later to 20.
Was the sinking of the Titanic predicted? Was it cursed by an Egyptian mummy?
Many myths and legends surround the Titanic. Some are disturbing because they hold kernels of truth.
Was the disaster predicted? Yes. In 1898—nearly 15 years before the sinking—an obscure writer named Morgan Robertson published Futility, a novel about the world’s largest and most luxurious ship, the Titan, which sank on its maiden voyage from New York to Liverpool after hitting an iceberg. The number of similarities is astonishing.
Was the Titanic the subject of an Egyptian mummy's curse? This story comes from the imagination of W.T. Stead, a publisher and journalist who was very interested in the occult and who travelled first class on the Titanic. On one of the evenings of the voyage, he told his dining companion, to make fun of him, that an Egyptian mummy had been found on board the ship and was believed to have evil powers. One of the people present that evening survived the shipwreck and told the reporters that the Titanic had been the victim of the mummy's curse.One of the listeners survived and told reporters that the Titanic fell victim to the mummy’s curse. This became urban legend, but it has a basis: the British Museum planned to send the lid of a sarcophagus (no mummy) labeled EA 22542 to New York aboard the Titanic. Today, it remains in the museum—it never left London.
Was there a treasure on board the Titanic? Not in the classic sense of the term ‘treasure’. The two most valuable items on board the Titanic were a painting by the French painter Blondel entitled ‘La Circassienne au Bain’, for which 100,000 dollars was demanded - a veritable fortune, and the other item was a bejewelled book of poetry by the poet Omar Kayyam. The title of the book was ‘Rubaiyat’.
Nowadays, the items that have become treasures are those recovered from the shipwreck. Not so long ago, up to 30,000 dollars was paid for a small coffee cup.
Titanic crockery. Fascination with the Titanic revives passion for collecting salvaged objects.
A Story of Discrimination
After the tragedy on the night of 14-15 April 1912, the press talked about the Titanic for months. The public was well aware of the wonders of her twin sister, the Olympic, which had been in service for a year, and it was said that the Titanic would surpass the Olympic in many ways, even though they were virtually identical. The advertised expectations and the myth of the ship's unsinkability were shattered by the horror that lay behind the death toll figures reflected in the final reports of the United States Senate enquiry: Of the 2,223 passengers and crew, a total of 1,517 people died.
Starting with the ship's crew, the numbers speak for themselves: 899 people, 685 of whom lost their lives.
As for the passengers, the figures were even more dramatic and give an idea of the (intentional or unintentional) discrimination against third-class passengers.
The wreck of the Titanic was only discovered in 1985 by oceanographer Robert Ballard at a depth of 3,800 metres in the North Atlantic. However, thousands of objects and the bodies of many people who lost their lives in the disaster surfaced just a few hours after the sinking.
The testimonies of some of the boats that came to the rescue or later travelled around the area are shocking. On the same Monday, 15 April 1912, the steamer California reported: ‘We see several empty boats, floating planks, deck chairs and life jackets’. Two days later, on Wednesday 17 April 1912, the steamship Princess Irene reported new details of a rescue operation: "Intercepted message from an unidentified steamship stating that an iceberg was sighted 50 miles (92 kilometres) from the scene of the sinking with more than a dozen men with life jackets piled on it.
The more days passed, the less hope there was of finding survivors in the icy waters of the ocean. On Saturday 20 April, the steamer Bremen reported: ‘We have sighted wreckage and bodies’.
The remains began to spread across the northern Atlantic, washed away by the water. The steamer Cestrian reported on Monday 22 April, a week after the disaster, that ‘accessories of the deck fittings, bedding, life jackets and chairs’ had been sighted over a wide area.
Almost two weeks later, on Friday 3 May, the steamship Minia reports parts of the large first class staircase - most of the debris coming from the lower deck area. ‘There must have been a terrible explosion and some parts of the deck panelling seem to have broken into small pieces’.
Not even those lucky enough to gain a place in the lifeboats could tell the story. Almost a month later, on Monday 13 May, the steamer Oceanic claimed to have discovered a ‘lifeboat with three bodies at 47°01 ́N and 42°29 ́W’.
The wreckage continued to surface. In December 1913, 18 months after the sinking, the steamship Port Kingston of Elder found a collapsible lifeboat in Bermuda, almost 2,000 nautical miles from the site of the sinking, about 3,700 kilometres.
PRODUCED BY
Madrid Artes Digitales
CURATOR
Fernando García Echegoyen
SCRIPT
Nacho Ares
CREATIVE BOARD MADRID ARTES DIGITALES
Nacho Ares, Marcos Cámara, César Cámara, Dalien Cohen, Artur Duart, Jelle de Jong, Henk van der Meijden, Elisa van der Meijden, Juanjo Rivero, Monica Strottman, Jordi Sellas
TOURPROMOTER
Alegria Exhibition GmbH
Andres Schessl, Andrea v. Zychlinksi-Schessl, Dr. Nepomuk Schessl
PRODUCER/CEO MAD
Jelle de Jong
EXECUTIVE PRODUCER
César Cámara
CHIEF OPERATIONAL OFFICER
Joan Grané Cadafalch
FINANCIAL DIRECTOR
Raquel Morales
MARKETING AND SALES DIRECTOR
Alfonso Segura
MARKETING ASSISTANT
Nicole Kruse
CONTENT AND TECHNICAL SUPERVISOR
Daniel Prieto
PRODUCTION COORDINATOR
Robin Kooter
TECHNICAL ASSISTANT
Laia Cuní
CONSULTOR DEL RECINTO
David Barreñada
CONTENT IMMERSIVE AND VIRTUAL REALITY
Sila Sveta
CONTENT METAVERSE
VR Coaster
COMPOSER AND MUSIC PRODUCER
René Merkelbach
Sila Sveta
CREATIVE DIRECTOR
Ilya Balakin
ARTISTIC DIRECTOR
Madina Ayupova
EXECUTIVE PRODUCERS
Alexey Rozov, Alexander Us
PRODUCERS
Maria Boya, Alexandra Maleeva
PRODUCTION DIRECTOR
Denis Sidorenko
SUPERVISOR
Anna Rodionova
GRAPHIC DESIGN
Daria Kuzmina, Tatiana Zhilyaeva
CONCEPT DESIGN
Alexander Kaidalov, Marina Mazina, Anna Zakharova
3D & 2D ARTISTS
Madina Ayupova, Anvar Baymukhametov, Natalie Elnitskaya, Yuri Kaplitskiy, Ivan Maximov, Victor Mescheryakov, Andrey Osokin, Andrey Pichugin, Anna Rodionova, Samad Samadov, Ekaterina Sapunova, Angelina Sokolova, Vsevolod Taran, Aleksandr Tokar, Maria Borisenkova, Sergey Gorokhov, Alexander Karelin, Samad Samadov
3D CHARACTER ARTISTS
Daria Batsunova, Gleb Iasinitskii, Anna Rodionova, Daria Shurkina, Sabina Tuktarova
3D MODEL
Ivan Maximov
PRODUCCIÓN DE VIDEO
Ljubov Jakovenko - costume director
Kirill Shulzhenko - director
Veronika Mazurik - producer
Anastasija Kovalevskaja - make up artist
ACTORES
Aleksandr Antonov, Sergej Bavrin, Vladislav Narodickij , Aleksandr Sokolov
SOUNDTRACK AUDIOCULT
René Merkelbach
SOUND DESIGN AND SFX
Anouk Verdonk
MUSICAL ARRANGEMENTS AND ORCHESTRATION
Federico Solazzo, Tom Schipper, Marco Kuypers
ADDITIONAL ARRANGEMENTS
Filippo Landi, Barbad Bayat
SOUND DESIGN AND ADDITIONAL ARRANGEMETS
Tim Verstegen
AUDIOCULT STUDIO CHORUS
Elke Rouwmaat , Lot Berendse, Bas van Rijswijk, Martijn van Baardewijk
ORQUESTRA
Der Soundtrack zu Die Legende der Titanic wurde von 50 Mitgliedern des Budapest Art Orchestra aufgenommen und von East Connection Music Recording dirigiert.
AUDIOCULT STUDIO MUSICIANS
Elco Jongkind: Spanische Gitarre
Tim Langedijk: Jazz Gitarre
Gary Alesbrook: Trompete und Flügelhorn
PRODUCER IMMERSIVE SOUND
Juan Delgado Serrano
SYNCHRONSPRECHER
Elizabeth Callahan: Saskia Glück
Arthur Callahan: Michael Pink
METAVERSE
VR COASTER GMBH & CO.KG
COO
Robin Herrmann
CREATIVE SUPERVISOR & UNITY DEVELOPER
Philip Greiner-Petter
UNITY DEVELOPER
Dennis Toni Würger
SENIOR 3D ANIMATOR
Tirsa Reeh
SENIOR LOW-POLY MODELING ARTIST
Christian Roder
3D MODELING ARTIST & RENDERING ARTIST
Hermann Fuchs
SENIOR CHARACTER ARTIST
Angela Schiemann
JUNIOR CHARACTER ARTIST
Kim Michelle Treib
HARDWARE & SOFTWARE DEVELOPER
Christoph Marchetti
SOFTWARE DEVELOPERS
Julian Herbold, Gabriel Schneider
PROJECT COORDINATOR
Victoria Herrmann
CUSTOMER SERVICE MANAGER
Melissa Marie Schramm
MERCHANDISE
It Brings Art
Marc Duart
PARTNERS
Canal Historia
CURATING DOCUMENTATION, IMAGES AND OBJECTS
Alamy, Colección privada Fernando García Echegoyen
PROJECT MANAGEMENT
Alegria Exhbition GmbH
Nicole Albrecht
MARKETING & PR
WOWfactor GmbH
Silke Sasse, Selina Nickel, Nova Konietzny
Birgit Hohl Presse
Alegria Exhbition GmbH
Lisa Papperger, Andreas Hiltner
TECHNICAL DIRECTION
SpecTecular GmbH
Benjamin Voss, Moritz Markulin, Balthasar Lukas Pank
SCENOGRAPHY
Building Illusions GmbH
Marc Stanciu
TICKETING
Fever
Noa El Amrani, Robert Kroner, Uemit Reber Aglar
SPECIAL THANKS
Carmen Ruiz, Matadero Madrid, Madrid Destino, Jose Louis Romo, Alma Fernández Rius, Naoko Deriu, Marja Kompier, Associació Retrofuturista Nautilus y Carles Bonet, Construcferial, ProRes, Taicher, Jenny Tran, Jan-Patrik Novoa Lill